Modos de hacer. arte crítico, esfera pública y acción directa
2001 Paloma Blanco, Jesús Carrillo, Jordi Claramonte, Marcelo Expósito Universidad de Salamanca
Institution as Medium. Curating as Institutional Critique? / Part I
2010 Editoras: Dorothee Richter and Rein Wolfs. Contribuciones de Dorothee Richter, Rein Wolfs, Oliver Ma oncurating.org
Institution as Medium. Curating as Institutional Critique? / Part II
2011 Editoras: Dorothee Richter, Rein Wolfs. Contribuciones de Giovanni Carmine, Maja Ciric, Neil Cumming oncurating.org
Educational tendencies: Discursos y líneas de tensión entre las políticas culturales y las educativas
Javier Rodrigo Biblioteca YP
Transductores. Pedagogías colectivas y políticas espaciales
2010 AA. VV. Diputación Provincial de Granada
Producción cultural y prácticas instituyentes. Líneas de ruptura en la crítica institucional
2008 AA. VV. Traficantes de Sueños
Las nuevas fábricas de la cultura: los lugares de la creación y la producción cultural en la España contemporánea
Jesús Carrillo Biblioteca YP
Capitalismo cognitivo, propiedad intelectual y creación colectiva
2004 Y. Moulier Boutang, Antonella Corsani, Maurizio Lazzarato... Traficantes de Sueños
A Space to talk: Curator, Artist, Collaborauteur.
2008 Gill Park axis, the online resource for contemporary art
Alternative Economics, Alternative Societies, Alternative Art Practices
2004 Oliver Ressler / Anna Liv Ahlstrand www.republicart.net
This is our real job
2009 Temporary Services Art and Work, a national conversation about art, labor and economics
Dark Matter: Activist Art and the Counter-Public Sphere.
2005 Gregory Sholette The Journal of Aesthetics Protest
General Introduction to Collectivity in Modern Art, artículo para la exposición “Critical Mass”, Smart Museum, Universidad de Chicago
2002 Alan Moore The Journal of Aesthetics Protest
The Global Need for Collaboration
2005 Nikos Papastergiadis Collaborative Arts. Conversations on Collaborative Arts Practices. Mark Dunhill & Tamiko O'Brien
Production Lines
2005 Irit Rogoff Collaborative Arts. Conversations on Collaborative Arts Practices. Mark Dunhill & Tamiko O'Brien
Sarai Reader 01: The Public Domain, 2001
2001 Raqs Media Collective, Geert Lovink (eds.) Sarai Media Lab
Rivets + Denizens::Introduction. A curation of curating. A collaboration exploring collaboration. A collision of histories and personalities.
2002 Ron Goldin Switch Journal, Collaborative curatorial models in theory and practice
On Curating and Collaboration
2012 Johannes Klabbers Charles Sturt University, School of Visual and Performing Arts
Negotiating speech and organizational practices: field notes and reflections from two counter-G8 (2007) initiatives.
2008 Anja Kanngieser/ Manuela Zechner Metamute.org
10.000 francos de recompensa (el museo de arte contemporáneo vivo o muerto)
2009 Benjamin Buchloh, Martin Jay, Mieke Bal, John Beverley y René Schérer entre otras. Ministerio de Cultura, Sociedad Estatal para la Acción Cultural Exterior, Universidad Internacional
La virtualización del comisario en las exposiciones participativas
2010 Ramón Sangüesa Co-creatingcultures. Creation, change and transformation out of diversity
From Conceptualism to Feminism: Lucy Lippard’s Numbers Shows 1969–74
2012 Cornelia Butler con Peter Plagens, Griselda Pollock, Pip Day. Entrevistas a Lucy Lippard, Seth Siege WALTHER KöNIG/AFTERALL BOOKS/ACADEMY OF FINE ARTS VIENNA VAN ABBEMUSEUM
Exhibiting the New Art: 'Op Losse Schroeven' and 'When Attitudes Become Form' 1969
2011 Editado por Christian Rattemeyer. Textos de Wim Beeren, Charles Harrison, Harald Szeemann, Tommaso T Afterall Books in association with the Academy of Fine Arts Vienna and Van Abbemuseum, Eindhoven.
ARTocracy – A curatorial handbook for collaborative practice
2010 Claudia Zeiske y Nuno Sacramento jovis Verlag GmbH
Issues in Curating Contemporary Art and Performance
2007 Judith Rugg y Michèle Sedgwick Judith Rugg y Michèle Sedgwick